[美國/三級] 所多瑪的罪惡 (一刀未剪) [中文字幕][AVI/1.00GB]
【影片片名】：所多瑪的罪惡 (一刀未剪) [中文字幕]
【影片又名】：All The Sins of Sodom (1968).
【平均評價】：★★★★★★→ 6.0 顆星
【影片大小】：1.00 GB
【影片時間】：01:35:26
【影片格式】：AVI 【D9→轉製AVI】
【影片尺度】：三級 (18禁)
【視頻尺寸】：900X504 (優質清晰版)
【影片演員】：Morris Kaplan. Maria Lease. Marianne Prevost. Peggy Steffans. Cherie Winters. etc.
【檔案數目】：2個AVI+11個圖片群 (種子內有圖)
【語種發音】：英語對白. 簡體中文字幕.
【影片內容】：時裝.成人.劇情.色情.性慾.女同.淫蕩.3P.自慰. 等.
【影片片商】：JOSEPH SARNO FILM.
【畫質資料】：NTSC16:9 / Video Quality:2400 Kbps.
【內容附註】：※片內不加入自己ID, 亦不植入竊佔為己有的炫耀水印字語.
【回覆附註】：※不喜此類型者請自律, 請勿回覆損人不利己的無聊言詞!!
【驗證碼】：d18164d16186016a6bd1f5d39443c435d96d9791
【種子製作日】：2012-02-01
【種子期限】：完30種後5天內不定期補種 (3週後刪檔)
【影片資料】:
“索多瑪的罪惡”看點：擅長駕馭情色題材的瑞典籍約瑟夫薩諾，一生情色作品豐富，其中尤以這部“索多瑪的罪惡”，是其最為代表的作品。“索多瑪的罪惡”故事：海寧是一個時尚攝影師，他感到人的裸體量創造了他喜歡的攝影模式。提供了一個在理想的男性幻想電影和色情的模式，探索人體藝術和搜尋完美機會，以達成對婦女的性命令。一切似乎順利，直到出現神秘的喬伊斯，黑暗和感性，海寧與喬伊斯進入引誘性遊戲 ......
令人震驚的，感性的和戲劇性的，這個 1968年的戲劇感是之一喬薩爾諾的最引人注目的電影 - 一個慾望和迷戀色情故事，一個雄心勃勃的攝影師，他的性愛和感性來操縱女人們之間，亨寧是以時尚色情攝影師，驅動他的攝影藝術輝煌願景。他感到鼓舞的是一個文學代理製作色情裸體和工作量，創造了與他最喜愛的形態，編造的完美佈局。一切似乎順利，直到神秘的喬伊斯; 黑暗和感性，喬伊斯扮演攝影師的自我遊戲，駕馭亨寧和萊斯利之間的一個楔子，勾引他的其他類型之一。由他自己的野心所蒙蔽，亨寧喬伊斯是編織的毀滅性的網頁，終而無法達成慾求心願，成就被銷毀無存.........
【Storyline】：
This is a striking feature by Joe Sarno that displays to the full extent his skills in high-key black and white lighting, effective mise en scene, and casting and directing actors. The series of models parading in and out of fashion photographer Henning's life and bedroom (in a not so subtle reference to the film BLOW UP), offers the perfect opportunity for a cinematic and erotic exploration of the ideal male fantasy, which is total artistic and sexual command of a stable of beautiful and willing women. The nymph who enters his life, occupies his spare room, and slowly turns his ideal setup upside down is yet another component to this fantasy, at at least for the viewer, as it allows for girl on girl scenes in which the models are further dominated sexually, and in which there is more sexual variety and kinkiness at play. Sarno's use of the female face captures the erotic more fully than many films which are fully graphic, and the psychological components of sexual desire are both varied and realistic.
Indeed, viewing the film made me understand fully what it would be like to be a male with the desire to sexually dominate a series of women, as it presents such a fantasy outside of moral concerns or even social concerns, but purely as a giddy lifestyle of pleasure from which no escape would ever be desired. Oddly enough, this also gives the women, who are otherwise so individual and so uniquely beautiful, an interchangeability that can be chilling to the heart of a romantic. There is a Sadean dimension to the pleasure that erases the importance of the women, even as they are made full subjects in terms of their equal and complicit engagement in the acts which they crave.
The man always remains intact and individual, insofar as he is the only male on screen in a sea of women, and because he is a complete person and an artist in his own right, liking sex but not needing it to complete and define him. The women, on the other hand, have no identity separate from what sex gives them (their inside dimension) or what their appearance offers to the screen and to his camera (their outside dimension). They are eaten up by both cameras and by the male gaze, in such a voracious way that there is nothing left to hide, and in this feat lies Sarno's skill as a director, that he can lay this vulnerability bare and get these actresses to go to places that you normally don't see women go in movies.
Therefore, the goal of the photographer in this film (to capture something in women that is fully erotic, fully female in the darkest sense), is met successfully by the protagonist's camera, and also by Sarno's camera. Even as the photographer in the film complains that he can't capture on film the expression that his lover has when she is transported by pleasure, Sarno's camera shows us this expression, and tells us at the same time that we are watching something extraordinary.
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本帖最后由 sw800 于 2012-2-1 09:49 编辑 ]
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